Nikko Culture - Let Me (Nezhdan Remix) @roundtripmusic
Nikko Culture - Let Me (Nezhdan Remix) #RoundTripBusRecords
We're becoming strangers
We're becoming strangers
Everytime when it starts to rain
I remember when we ran under it
Blow the stakes, staying in the past
And I can't go back
I can only remember
I'm supposed to go on with my life
But I can't deny
That I just wanna see you back
Everytime when it starts to rain
I remember when we ran under it
I don't know how
Everytime when it starts to rain
I remember when we ran under it
Blow the stakes, staying in the past
And I can't go back
I can only remember
I'm supposed to go on with my life
But I can't deny
That I just wanna see you back
Everytime when it starts to rain
I remember when we ran under it
I don't know how
We're becoming strangers
Let me see your face just one more time
Kiss you one more time
Before time runs out,…
Source: Musixmatch
Nikko Culture is a Nu Disco and Indie dance music producer from Greece. His passion for electronic music started in his younger years. This has been escalated to a level as music producer in which he has taught himself. He pushed the envelope in 2015 when he walked the professional path as a music producer. Nikko Culture sees this whole experience as a reward and finds his happiness in his music.
My real name is Nikos Kourtis and I was born in one of the most beautiful cities in Patras, Greece.
Metrik - Shadows
Metrik - Shadows
Watching the light fade away
We'll count the stars wide awake
When will the night fall?
We're fading away like…
Source: Musixmatch
Station Earth - Cold Green Eyes (Feat. Roos Denayer)
Station Earth - Cold Green Eyes (Feat. Roos Denayer)
Everchanging
The knowing feeling
Could make you fall from the dreamy skies
Suddenly the deepness can get true
Where you live a life without a clue
And you're looking into cold green eyes
Everchanging
The knowing feeling
Could make you fall from the dreamy skies
Suddenly the deepness can get true
Where you live a life without a clue
And you're looking into cold green eyes
Everchanging
The knowing feeling
Could make you fall from the dreamy skies
Suddenly the deepness can get true
Realize I fall along with you
And you're looking into calm green eyes
Everchanging
The knowing feeling
Could make you fall from the dreamy skies
Suddenly the…
Source: Musixmatch
Roos Denayer
Alecto - No More (feat. Max Landry) | Lyric Video
Alecto - No More (feat. Max Landry) | Lyric Video
Tommy - Flyin'
Tommy - Flyin'
Starbound - Road to Victory
Starbound - Road to Victory
Dream Fiend - The World Next Door
Dream Fiend - The World Next Door
Henrik Jonson - Mystical Digital
Henrik Jonson - Mystical Digital
Nameless Warning - Peaceful Place (Official Music Video)
Nameless Warning - Peaceful Place (Official Music Video)
Will you be there to show me the light when I'm lost and afraid
Not knowing where I should go?
You know I haven't got a clue on just what to do,
But i'm hoping that'll change one day... when I find you
I've found a hideaway, I've found a peaceful place
It's time to make a change, and be the best I can
I'm stuck in a maze without you, but one day, I'll find a way to escape
And things will be okay
Can't let this feeling bring me down, even…
Source: Musixmatch
AND SO IT BEGINS, MY FIRST EVER MUSIC VIDEO! This actually was an assignment that everyone had to do in my acting class. The goal was to make a music video, and I figured I might as well do one of my own songs! So with my newly acquired video equipment, I decided to find some of the prettiest places in my area to film! I thought it turned out pretty nicely! The concept of the video was mostly inspired by Lemaitre's "Appreciate" music video, but of course with some elements of myself thrown in. I hope you all enjoy my 50th video!
Nameless Warning is 23 year old singer, and songwriter Jacob Smith.
Botnit & Future Holotape - Runaways
Botnit & Future Holotape - Runaways
KFDDA - On The Line (feat. Kyle Brauch)
KFDDA - On The Line (feat. Kyle Brauch)
A song created for the Synthetix.FM Synthual Rendezvous Mixtape.
credits
released February 13, 2015
lyrics
In the receiver I can hear the operator check
My hands are shaking and I know I'm a nervous wreck
I try to speak but my tongue keeps drying up
I want to tell her but the words are not enough
Would she notice that I'm on the line all alone
The credit maxed but I'm dialing in on the phone
I tap my fingers and I twirl the cord - biding time
she never answers but I'm waiting here on the line
she never answers for
she never answers for me
she never answers for
she never answers for me
she never answers for
she never answers for me
she never answers for
she never answers for me
All the suitors that'll inundate her at the door
Cannot compete with the things about her I'd adore
they're chasing violence but I only want to know her name
she lit the fire but I only seem to fan the flame
I want to hang up but it feels like it is premature
transistor ballads on the hold music - not a word
I have to reach her first.. I have to make her see
We've never spoken but I swear that she's the one for me
she never answers for
she never answers for me
she never answers for
she never answers for me
she never answers for
she never answers for me
she never answers for
she never answers for me
credits
from KFDDA & Friends, released July 9, 2019
Music written & Composed by Kaleb 'KFDDA' Alfadda
Lyrics, Vocals, & Sparkle by Kyle Brauch: www.facebook.com/midwavemusic
MIDWAVE: midwave.bandcamp.com
license
all rights reserved
Fixions - Grégoire & Nathan
Fixions - Grégoire & Nathan
Stock Loc - Success
Stock Loc - Success
Dance With The Dead - Take Me There
Dance With The Dead - Take Me There
Dance with the Dead aka Justin Pointer and Tony Kim are two American musicians from California. They produce electronic music based on melodies made with synthesizers, with the peculiarity of having sounds coming from the 80s, as well as guitar riffs due to their past in Heavy Metal.
These two musicians have known each other since childhood and were even neighbors, they’ve played guitar since they’re childs until today in their compositions and in their concerts. Their influences vary between Metal bands such as “Mötley Crüe”, “Pantera”, “Def Leppard” and electronic pillars such as “Daft Punk” and “Kavinsky”. Their visual universe focuses on horror film themes (special mention to Frankenstein), as well as melodies of their tracks. The first album “Out of Body” was released in October 2013, during the Halloween celebrations. Then followed “Near Dark” in 2014 and “The Shape” more recently in 2016 and two EPs released in 2014. During their Lives, they have the particularity of performing electric guitar performances, giving some exceptional shows. They’re in Live now tour and currently compose with the son of “John Carpenter”. Beware, the sequel may be even more explosive!
Hyboid - Martians Do It Better (video)
Hyboid - Martians Do It Better (video)
Berlin-based Sebastian “Hyboid” Hübert is a bit of a synthesizer nerd who harbors an affinity for synth-heavy genres ranging from Italo Disco, new wave, and 80s synth-pop to space electro, cosmic disco, and the various manifestations of Tangerine Dream. He’s also enjoyed the synthwave genre, but never before has he recorded a full-on synthwave record. That changes with Wired at Heart, his new album.
Sebastian Hübert (AKA “Hyboid”): I have done a lot of different things in the past, music-wise. Some tracks that I did years ago could be called “synthwave” by today’s standards, but I have never done a purely synthwave-oriented release. Now it was time to go full-on ’80s style for the length of an entire album. I listen to a lot of ’80s synth-pop, new wave, and Italo Disco. Other than that, the sci-fi movies and TV shows that I loved as a kid have been eternally influential for me. Of course I also follow the synthwave scene, but I am not influenced too much by what is being released today. My previous album featured a lot of hand-played synth lines, pads, and chords. For Wired at Heart I still did a lot of live playing, but there is more sequenced material on it. The Roland MSQ-700 — the first ever MIDI sequencer from 1983 — was my main sequencer for this album. Last year I finally got my hands on a Linndrum, which also made a huge impact on the sound of the Wired at Heart album. The Linn simply sounds that good! I also used more digital/hybrid synths than on my earlier releases: the Kawai K1m, Korg EX-8000, and Ensoniq Mirage sampling keyboard.
Making a synthwave song is not a problem in itself, but if you are trying to make an entire synthwave album you want to avoid being repetitive and boring. It’s easy to fall into that trap. Any genre can be terribly restricting (or constricting) if you stick to the rules. That’s why I don’t like genre restrictions.
Now the real challenge is to explore the boundaries of the genre and to come up with something you haven’t heard a thousand times before.
You’re selling a special “Synth Gadget” edition of Wired at Heart that comes with what is essentially a small synthesizer shaped like a heart. Tell me more about that awesome synth. How’d that come about? Who made it and how does it work? This synth gadget idea came from my friend Tobias Münzer of www.tubbutec.de, who develops MIDI extensions for vintage synths as well as Eurorack modules. So we sat down together with an interface designer, Phirol, and came up with the design for the “Wired Heart” gadget a couple of weeks later.
It’s basically a little heart-shaped, digital, six-oscillator synth with touchpads to manipulate the sounds — which are rather experimental by the way. This little synth comes with my “Wired at Heart” Synth Gadget special edition, but it can also be ordered separately via tubbutec.de.
"Wired Heart" Synth Gadget by Tubbutec.de, Phirol and Hyboid (Astro Chicken Records)
Back in 2008-09 I was part of a netlabel collective called Welovetoemerge. When that went belly up I thought: I can do better that that! So I founded my own label Astro Chicken in 2010 as a platform for space electro and cosmic disco. In the years before that I had amassed enough material for several releases; by other artists as well as my own stuff. I took the name of my label from a computer game series called Space Quest by Sierra Adventures. “Astro Chicken” was a little arcade game you could play inside one of the Space Quest games. I’ve always loved that name and it was a logical choice for my label.
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The Judgeman - Press Start
The Judgeman - Press Start
![Stellardrone - Gravitation (2018 Remix) [SpaceAmbient Special]](https://i.ytimg.com/vi/5JXLro7Ghnw/maxresdefault.jpg)
Stellardrone - Gravitation (2018 Remix) [SpaceAmbient Special]
Stellardrone - Gravitation (2018 Remix) [SpaceAmbient Special]
Stellardrone (pseudonym of Edgaras Žakevičius, Vilnius, 1987) is a Lithuanian composer of Ambient music. Stellardrone began composing in 2007 and uses computer software (Reason, Ableton and Audacity) for his compositions. As influences are mentioned among others Brian Eno, Tangerine Dream, Vangelis and Aphex Twin. He lives in the Lithuanian capital Vilnius. His works have been used in several NASA videos on the international space station ISS and the Space Launch System.
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Discography
On A Beam Of Light (2009, own management)
Sublime (2010, own management)
Invent The Universe (2010, own management)
Echoes (2012, Energostatic Records STASIS009)
Light Years (2013, Energostatic Records STASIS017)
Between The Rings (2017, own management)
Stellardrone's music is freely available under the Creative Commons license.
Stellardrone's music is freely available under the Creative Commons license.
Rendezvous With Rama - Stellardrone
Rendezvous With Rama - Stellardrone
![The Intangible - Touching Down in an Alien Metropolis [SpaceAmbient Channel]](https://i.ytimg.com/vi/UxAa2Ta98cs/maxresdefault.jpg)
The Intangible - Touching Down in an Alien Metropolis [SpaceAmbient Channel]
The Intangible - Touching Down in an Alien Metropolis [SpaceAmbient]
![Aythar - A Few Light Years Away [SpaceAmbient]](https://i.ytimg.com/vi/V_wcEr6pC8Y/maxresdefault.jpg)
Aythar - A Few Light Years Away [SpaceAmbient]
Aythar - A Few Light Years Away [SpaceAmbient]
Aythar is a Hungarian space-ambient & electronic music composer at Carpe Sonum Records (US) and Txt Recordings (UK) and Fantasy Enhancing (UK) record labels.
The musical direction of Pete Namlook’s and Tetsu Inoue’s works had a great impact on his music. Aythar would like to follow their footsteps with his own unique style.
![MogueHeart - Airglow [SpaceAmbient Channel]](https://i.ytimg.com/vi/i8PnZlmGLl0/maxresdefault.jpg)
MogueHeart - Airglow [SpaceAmbient Channel]
MogueHeart - Airglow [SpaceAmbient]
Perseverance is the first leg of a round trip to Mars. The verification of ancient life on Mars carries an enormous burden of proof. Perseverance is the first rover to bring a sample caching system to Mars that will package promising samples for return to Earth by a future mission. Rather than pulverising rock the way Curiosity’s drill does, Perseverance’s drill will cut intact rock cores that are about the size of a piece of chalk and will place them in sample tubes that it will store until the rover reaches an appropriate drop-off location. A Mars sample return campaign is being planned by NASA and the European Space Agency because here on Earth we can investigate the samples with instruments too large and complex to send to Mars. Examining those samples on Earth will provide far more information about them than even the most sophisticated rover could provide.
![Tamás Kreiner - Imperium Galactica II [SpaceAmbient]](https://i.ytimg.com/vi/Swwxi0TLEyM/maxresdefault.jpg)
Tamás Kreiner - Imperium Galactica II [SpaceAmbient]
Tamás Kreiner - Imperium Galactica II [SpaceAmbient]
Tamás Kreiner entered the world of music when he established his company, Amnesty Design in 1991. He soon began work on several successful solo musical projects, including the soundtrack for the game Reunion, which was the basis of his reputation. After many years, Amnesty Design evolved to Digital Reality, where Kreiner has composed scores for Imperium Galactica and the great hit sequel, Imperium Galactica II: Alliances. During these years Kreiner pioneered the use of combining old and new musical technologies and expanded his experience in both composing and sound designing, which later has granted him great reputation in the industry. In 2000, he received the British Academy of Film and Television Arts Award (Best Original Game Music) for his work on Imperium Galactica II.
Perseverance carries instruments and technology that will pave the way for future human missions to the Moon and Mars. Among the future-looking technologies on the Mars 2020 Perseverance mission that will benefit human exploration is the rover’s Terrain-Relative Navigation system. Part of the landing system, Terrain-Relative Navigation is the main reason Perseverance can explore a place as interesting as Jezero Crater. It will enable the rover to quickly and autonomously comprehend its location over the Martian surface and modify its trajectory during descent. This technology will be able to provide invaluable assistance for both robotic and crewed missions landing on the Moon and is a must for future robotic and crewed exploration of Mars.
Echo Grid - Far Away
Echo Grid - Far Away
To celebrate his 2nd release of 2019 with Mellotron, Echo Grid has chosen to break away from his familiar, immersive soundscapes to create a more melodic and impacting electronic anthem. This impressive track does wonders for showcasing the full extent of this young man’s musical prowess and hunger for evolving his brand.
Although a departure from his recognisable breed of atmospheric ambience, ‘Awakening’ is a powerful & moving down-tempo animal that takes the dynamic Dutchmen to greater heights. Featuring captivating drum beats, harrowing electronic glitch and dark, almost celestial vocals, ‘Awakening’ lies true to its name by pulling you into an abstract lucid dream where the lines between genres begin to blur.
In regards to his musical evolution, Echo Grid describes his latest behemoth as deriving from “contemporary electronic music as well as the emerging cyberpunk revival, ‘Awakening’ walks on the line between meditative ambiance and pulsing grooves”. This highly engrossing, pulsating & vibrant creation is only the start of an exciting new side to Echo Grid, so sit back and feel as a true pioneer’s full potential awakens before your ears.
Echo Grid ‘Awakening’ is out now from all digital stores; including Spotify, Apple Music and Amazon Music.
Engineers have also given Perseverance more self-driving smarts than any other rover, allowing it to cover more ground in a day’s operations without having to wait for engineers on Earth to send up instructions. Calculated over the length of the mission, this fast pace can translate into more science. This fast-traverse capability (courtesy of upgraded sensors, computers and algorithms) will make exploration of the Moon, Mars and other celestial bodies more efficient for other spacecraft. Perseverance also carries a technology demonstration — a proof-of-concept experiment — called MOXIE (Mars Oxygen In-Situ Resource Utilization Experiment). This instrument will produce oxygen from Mars’ carbon dioxide atmosphere, demonstrating a way that future explorers might produce oxygen for rocket propellants as well as for breathing. The Mars Environmental Dynamics Analyzer (MEDA) instrument suite will also be key for future human exploration, providing information about the current weather and climate, as well as the nature of the dust on the surface. The Mars Science Laboratory Entry, Descent and Landing Instrumentation 2 (MEDLI2) package, a next-generation version of what flew on the Mars Science Laboratory mission that delivered the Curiosity rover, will help human exploration, too, providing data about the entry and descent of the spacecraft through the atmosphere.
![Yabol Fibonacci - Thieves Of Dreams [SpaceAmbient]](https://i.ytimg.com/vi/UqKJ-wkd-WE/maxresdefault.jpg)
Yabol Fibonacci - Thieves Of Dreams [SpaceAmbient]
Yabol Fibonacci - Thieves Of Dreams [SpaceAmbient]
You will get to ride along. The Mars 2020 Perseverance mission carries more cameras than any interplanetary mission in history. The Perseverance rover itself has 19 cameras that will deliver images of the landscape in breathtaking detail. The other parts of the spacecraft involved in entry, descent and landing carry four additional cameras, potentially allowing engineers to put together a high-definition view of the landing process after the rover safely touches down on Mars. As with previous Mars missions, the Mars 2020 Perseverance mission plans to make raw and processed images available on the mission’s website. In this spirit of bringing the public along, the Perseverance rover carries an anodized plate with the words “Explore as one” in Morse code and three silicon chips with the names of approximately 10.9 million people who signed up to ride along on Perseverance’s journey to Mars.
NASA’s next mission to Mars — the Mars 2020 Perseverance mission — will land in Jezero Crater on the Red Planet on Feb. 18, 2021. Perseverance is the most sophisticated rover NASA has ever sent to Mars, with a name that embodies NASA’s passion for taking on and overcoming challenges.
As the Wright Brothers were the first to achieve powered, controlled flight on our world with their Flyer, Ingenuity’s team at JPL expects its helicopter to be the first flyer on another world. Here are a few things you should know about the first helicopter going to another planet.
Ingenuity is an experimental flight test. Ingenuity is what is known as a technology demonstration — a project that seeks to test a new capability for the first time, with limited scope. Previous groundbreaking technology demonstrations include the Mars Pathfinder rover Sojourner and the Mars Cube One (MarCO) CubeSats that flew by Mars. Ingenuity features four specially made carbon-fiber blades arranged into two 4-foot-long (1.2-meter-long) counter-rotating rotors that spin at around 2,400 rpm — about eight times as fast as a standard helicopter on Earth — plus innovative solar cells, battery, avionics, sensors, telecommunications, and other designs and algorithms. But many of its other components are commercial, off-the-shelf parts from the world of smartphones, including two cameras, an inertial measurement unit (measuring movement), an altimeter (measuring altitude), an inclinometer (measuring tilt angles) and computer processors. The helicopter does not carry science instruments and is a separate experiment from the Mars 2020 Perseverance mission.
![The Intangible - Astrophotography [SpaceAmbient Channel]](https://i.ytimg.com/vi/7M3rjwoavQ0/maxresdefault.jpg)
The Intangible - Astrophotography [SpaceAmbient Channel]
The Intangible - Astrophotography
Ingenuity will be the first aircraft to attempt controlled flight on another planet. Mars has beyond bone-chilling temperatures, with nights as cold as minus 130 degrees Fahrenheit (minus 90 degrees Celsius) at Jezero Crater. These temperatures will push the original design limits of the off-the shelf parts used in Ingenuity. Tests on Earth at the predicted temperatures indicate they should work as designed, but the team is looking forward to the real test at Mars. One of Ingenuity’s first objectives, when it gets to the Red Planet, is just to survive the frigid Martian night for the first time. Mars has a rarefied atmosphere — just 1% of the density of our atmosphere on Earth. Because the Mars atmosphere is so much less dense, Ingenuity is designed to be light, with rotor blades that are much larger and spin much faster than what would be required for a helicopter of Ingenuity’s mass on Earth.
![Erkenfresh - Tale of the Prophecy [SpaceAmbient]](https://i.ytimg.com/vi/qTkX2R_y7ok/maxresdefault.jpg)
Erkenfresh - Tale of the Prophecy [SpaceAmbient]
Erkenfresh - Tale of the Prophecy [SpaceAmbient]
Genre
Electronic Music (except dubstep)
About
Programmer by day, music producer and DJ by night.
I have a weekly show on Eve Radio at www.eve-radio.com. Check the schedule for more details. Also, I produce my own electronic music. I haven't settled on just one genre yet and I like to make a variety. Most of it is free at www.erkenfresh.com.
NASA Mars Helicopter Ingenuity Animations
And Mars gives the helicopter a little help: the gravity at Mars is only about one-third that of Earth’s. That means slightly more mass can be lifted at a given spin rate. There is also the challenge of communication. Delays are an inherent part of communicating with spacecraft across interplanetary distances, which means the helicopter’s flight controllers at JPL won’t be able to control the helicopter with a joystick. Therefore, Ingenuity has to fly autonomously. The command to fly will be sent to Ingenuity well in advance, and the engineering data from the flight will be returned to Earth after the flight takes place. Ingenuity will communicate through the rover, which will then communicate with an orbiter that in turn communicates with Earth. It took humankind a lot of trial and error to figure out how to fly a plane or helicopter on Earth. In careful steps over five years, engineers on the Ingenuity team were able to demonstrate it was possible to build something that was lightweight enough and could generate enough lift in Mars’ thin atmosphere to take off from the ground. 3. Ingenuity has already demonstrated feats of engineering.